Journal of the Scottish Society for Art History 2019/20
Volume 24 (2019-2020) Sculpture in Scotland
Andrew Demetrius – Art Decade: Glenrothes Town Artist – Public Sculpture as Collaborative Practice
Natalie Morgan-Klein – Postwar public sculpture in British new towns: the pioneering role of Brian Miller in Cumbernauld
Matthew Jarron – ‘The immortality of stone, and the immortality of art’ – A brief history of Public Sculpture in Dundee
Aonghus Mackechnie – Scoto-Netherlandish sculpture and the scientists: 1610s-30s
Iain Fraser – An Epitome, Two Temples and a Colossus: the 11th Earl of Buchan and his sculpture
Clarisse Godard Desmarest – Columns, statues and memory in 19th-century Scotland
Hardeep Dhindsa – New Town, New Money: Towards a Decolonised Edinburgh
Eva Belgherbi – Ottilie Maclaren Wallace (1875-1947) and Scotland
Kirsty Jackson – The making of a sculptor: Charles d’Orville Pilkington Jackson’s training in the early days at Edinburgh College Of Art
Robin H Rodger – The Keith Rand Studio Gift
Georgina Coburn – Energy, Concept And Material – The Art of Steve Dilworth
Jo Meacock – Exploding Convention: I Say Nothing, A World War I centenary sculpture commission by Christine Borland
Alice Strang – From the Wall to a Performance: Monster Chetwynd’s Re-definition of Sculpture
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Please send a cheque payable to Scottish Society for Art History to:
Matthew Jarron
Scottish Society for Art History
University of Dundee Museum Services
Dundee DD1 4HN
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