Journal of the Scottish Society for Art History – Back Issues
Volume 1 1996 Scotland and the Low Countries & Scotland and France
Margaret Swain – Flemish Tapestry Hangings in Scotland in the Seventeenth Century
Basil Skinner – Philip Tideman and the Decoration of Hopetoun House
John Lowrey – The Influence of the Netherlands on Early Classicism and the Formal Garden in Scotland
John Frew – Scottish Architecture and Holland, 1919-1939
Paul Stirton – Grez-sur-Long: An Artists’ Colony
Patrick Elliott – French and Scottish Sculpture, 1890-1940
Françoise Garcia – The teaching of Andre Lhote
Ceçile Coutin – André Dunoyer de Segonzac, 1884-1974
Volume 2 1997 Scotland 1900
Louise Boreham – Louis Reid Deuchars and the Aldourie Pottery
Elizabeth Cumming – The Marquess of Bute and the Beginnings of the Dovecot Studio
Frances Fowle – Alexander Reid: the Influential Dealer
John Frew – Suburban Free Stylism: the Villas of James Scott of James Gillespie and Scott, 1896-1914
Juliet Kinchin – Art and History into Life: Pageantry Revived in Scotland
John Morrison – James Duncan of Jordanstone and the Art College in Dundee
Volume 3 1998 Patronage & Collecting
Robin Nicholson – Patronage and Portraiture of the Exiled Stuarts
George Fairfull Smith – The Glasgow Dilettanti Society
Jennifer Melville – Art and Patronage in Aberdeen, 1860-1920
Andrew Watson – Constantine Ionides and his Collection of 19th-Century French Art
Jane Lindsey – Robert Burns and the Crawford Family
James M Lawlor – The Scottish Patrons of Eric Gill
Diane M Watters – Post-War Church Patronage in the West of Scotland: The Ecclesiastical Architecture of Gillespie, Kidd & Coia
Volume 4 1999 Art Academies & Spanish Art
Grier Gordon – The Foulis Academy, 1753-1776
George Fairfull Smith – Art and Design Education in Glasgow in the 18th and 19th Centuries
George Rawson – The Glasgow Government School of Design, 1845-1853
Frances Fowle – The Changing Functions of the Royal Institution
Joanna Soden – The Role of the RSA in Art Education During the 19th Century
Nigel Thorp – Whistler and His Students at the Académie Carmen
Hilary Macartney – The Nobility of Art: The Seville Academy Founded by Murillo and a Portrait of Philip IV at Pollok House
Alan K G Paterson – Three Versions of Art Theory and Practice by Don Pedro Calderón de la Barca
David Howarth – “The grand features of an unsubdued world”: William Robertson and the Spanish Empire
Amaia Zulaika – The Dissolution of the Spanish Monasteries in the 19th Century and its Impact on Spanish Art
Volume 5 2000 Scotland 1900 & Scotching Myths
Elizabeth Cumming – Ruskin and Identity in Scottish National Architectural Sculpture
Ray McKenzie – The Sculpture Programme of Kelvingrove Art Gallery
Juliette MacDonald – The Decorative Murals of Douglas Strachan
Christine Rew – James Cromar Watt: Aberdeen Architect and Designer
Richard Carr – Scottish Design Myths
Annette Carruthers – Two Holiday Houses in North Britain: Melsetter and the Old Place of Mochrum
Janice Helland – “Quaint and Curious”: Scottish Textiles at Turin, 1902
Rosemary Addison – Spirited Activity: Scottish Book Design and Women Illustrators, 1890-1920
Jane Lindsey – A Tale of Two Tea Rooms: Gender, Commerce and Classicism
Christine Rew – The Gleam in the North: Historic and Contemporary Silversmithing in Scotland
David Gerrard – The Invisible Designer
Volume 6 2001 Orientalism
Robert Hillenbrand – Introduction: The Orient of the Imagination
Sylvia Auld – The Response to the Arts of Islam in Renaissance Florence and Venice
Jennifer Scarce – Europeans in Turkish Dress
Patsy Campbell – Wilkie in Constantinople
Ulrike Al-Khamis & Rose Watban – An Orientalist Tile Panel in the Royal Museum of Scotland
Nick Pearce – Soldiers, Doctors, Engineers: Chinese Art and British Collecting 1860-1935
Patsy Campbell & Chris Claxton – Chinese Works on Paper from a 19th-Century Decorative Scheme at Pittendreich House, Lasswade
Margaret MacDonald – James McNeill Whistler and Oriental Art
Akayo Ono – The Japanese Subject Matter of Mortimer Menpes and the Influence of Whistler and Kawanabe Kyôsai on his Work
William Buchanan – The Asahi Restored
Volume 7 2002 Twentieth-Century Art & Design in Scotland
Frances Robertson – Dazzle Painting: The Art of Deceit in War
Nicholas Oddy – A Scottish Approach to Domestic Light Goods: The Case of Bar-Knight
Bruce Peter – Glasgow Goes Electric
Juliet Kinchin & Andrea Peach – Small Pieces of Scotland? Souvenirs and the Good Design Debate 1946-80
Annette Carruthers – Barnsley’s Bute House Sideboard and the Patronage of Elizabeth Watt
Pauline Megson – Reconstructing Auchinleck
Dianne King – A Renaissance in Ironwork
Robin Baillie – Singularity and Symbolisation: Images in the Scottish National Narrative
Neil Mulholland – Learning from Glasvegas: Scottish Art after ‘The 90′
Venda Louise Pollock – An Enlightenend City and Distanced Observer: Early Prospects of Glasgow by Slezer and the Foulis Academy
Volume 8 2003 Collecting Italian Old Master Paintings in Scotland in the 18th and 19th Centuries
Timothy Clifford – Introduction: Italian Art in Scotland in the 18th and Early 19th Centuries
Peter Humfrey – G. F. Waagen in Scotland
Francis Russell – John, 3rd Earl of Bute, and Venice
Iain Gordon Brown – ‘I understood pictures better than became my purse …’: the Clerks of Penicuik and Eldin as Collectors and Connoisseurs
Stephen Lloyd – Italian Paintings in the Scottish Collections of the Dukes of Buccleuch & Queensberry
Claire Smith – The 4th Earl of Aberdeen as a Collector of Italian Old Masters
Godfrey Evans – The Hamilton Collection and the 10th Duke of Hamilton
Shelagh Wemyss – Francis, Lord Elcho (10th Earl of Wemyss) as a Collector of Italian Old Masters
Robert Wenley – The 8th Marquess of Lothain as a Collector of Italian Old Masters
Vivien Hamilton – Italian Old Masters in Glasgow: Resources for Research
Iain Gordon Brown – Venerating the Venetians? Some Scottish Views of the Painters of the Golden Age
Volume 9 2004 The Arts and Crafts movement / Patrick Geddes and France SOLD OUT
Alan Crawford – The Disunited Kingdom of the Arts and Crafts
Annette Carruthers – Gang Warily: Scottish Arts and Crafts Issues
Juliette MacDonald – Politicising the Landscape: The Kirk and the Ideology of Territoriality
Janice Helland – Highland Home Industries and the Fashion for Tweed
Nicola Gordon Bowe – ‘Dreams Long Hoarded’: Aspects of Cultural Identity Leading to Arts and Crafts Movement in Ireland, c.1886-1925
Edyta Supinska-Polit – ‘The World is Different Here’ : Arts and Crafts in the Polish Tatras
Paul Stirton – From ‘The Stones of Venice’ to ‘The Stones of Transylvania’
Elizabeth Cumming – ‘Scottish Everyday Art’, or How Tradition Shaped Modernism
Robin Nicholson – ‘From Fever to Fresh Air’: The Evergreen, The Yellow Book and the Threat of Decadence
Clare A.P. Willsdon – The Ramsay Garden Murals and Their Links with French Mural Painting
Pierre Chabard – Paris – Montpellier – Domme: French Migrations of the Outlook Tower
Venda Louise Pollock – Second City or Absent City? Futurism and Glasgow’s Lack of an Urban Modernism
Vickie Hearnshaw – The Glasgow Boy ‘Downunder’: James Nairn’s New Zealand years, 1890-1904
Volume 10 2005 SSAH 21st Anniversary Edition /Architecture, Design
and Criticism / Scottish Art/ Student Essay
Emily Jane Anderson – 18th-Dynasty Statues of the Egyptian Goddess Sekhmet in Scottish Collections
Peter Black – A Rubens Drawing for the Hunterian: The Fragment of a Memory Exercise
Jessica Feather – Gavin Hamilton’s Dawkins and Wood Discovering the Ruin of Palmyr Reconsideration
Ailsa Boyd – Finding Beatrix Whistler: A Paradigmatic Victorian Woman Artist
Marc Fehlmann – ‘A Striking Proof of Scotland’s Pride’: Remarks on the Scottish National Monument on Calton Hill
Bruce Peter – Hopping Scottish to London – The Design Context of the 1968 M-Type Motorway Coach
Wolfgang Sonne – Culture of Urbanity: A New Approach to 20th-Century Urban Design History
Susannah Thompson – The Case for Critical Regionalism in Recent Scottish Art Criticism
Duncan Macmillan – Scottish Art
Murdo Macdonald – Scottish Art and Identity: A Unique Diversity
John Morrison – Nation and Identity
Ken Currie – State of the Nation: Contemporary Art
Charles McKean – Scottishness in Architecture
Clemena Antonova – El Greco’s Icon of Christ in the National Gallery
Daniel Herrmann Obituary – Sir Eduardo Paolozzi, 1924-2005
Volume 11 (2006) Art & Art History in Dundee SOLD OUT
Matthew Jarron – Introduction
Clara Young – Dundee’s Earliest Fine Art Exhibitions
Mark Stocker – ‘The head o’ the Bard sweeps the Southern Sky!’ Sir John Steell’s Statues of Robert Burns: From Dundee to Dunedin
William Hardie – George Dutch Davidson: ‘A too great perfection’
Mary Arnold – Etta J. Johnston: Art, Science and Social Action in Late 19th-Century Dundee
Murdo Macdonald – Pointing to Iona: Patrick Geddes, John Duncan and Ananda Coomaraswamy
Nicola Ireland – ‘A man of sensitive culture’: A Survey of Twelve Albums by John Duncan in the Royal Scottish Academy Collection
Frances Fowle – Pioneers of Taste: Collecting in Dundee in the 1920s
Euan McArthur – CEMA and the Arts Council in Scotland: Education, Policy and Practice, 1940-46
Christopher Murray – Thur’s a man wi a big chin an’ a dug in thon City Centre: Uncovering the Importance of Dundee Comics
Sandra McNeil – Drawing as Life: Reflections on William C.M. Cadenhead
Stephen Partridge – REWIND: Artists’ Videos in the 1970s and 1980s
Matthew Davis – The Richard Demarco Archive: Accessing a 40-Year Dialogue between Richard Demarco and the European Avant-Garde
John Stewart-Young, Clara Young & Alice Strang – McManus Galleries & Museum: Redevelopment and Outreach
Gail Egan – ‘Surveying the Past and Looking to the Future’: Caring for the Paintings Collection of the McManus Galleries
Monica Matthews & Philippa Sterlini – ‘Out, damned spot!’: The Conservation of John Linnell Chalk Portraits at the University of Dundee
Caroline Needham – Forensic Art in Dundee
Grainne Rice – Obituary: Ian Hamilton Finlay, 1925-2006
Volume 12 (2007) Art & Art History in Glasgow
Roger Bilcliffe – Mackintosh Furniture Revisited
Victoria Burgess – Attic Riches: Locating the Local Painter Decorator
Robert Gibbs – Designs for the Serial Titles of Blackie’s and Mudie’s by Talwin Morris, Ethel Larcombe and C.R. Mackintosh
Sally Stewart – In Praise of Shadows and Light
Alexander Kennedy – An Occult Perspective on One of ‘The Four’
Paul Stirton – Notes Towards a Historiography of Modern Scottish Art
Frances Fowle – Art Dealing in Glasgow Between the Wars: The Rise and Fall of La Societe des Beaux-Arts
Venda Pollock – From Gethsemane to Lanark: The Problem of Representing Glasgow
John Morrison – The Glasgow Group
Margery McCulloch – Young Artists in a ‘Philistine Society’? Making it New in Glasgow 1956-1969
Helen McCormack – The Hunterian Museum and Art Gallery Bi-centenary Celebrations
Margaret MacDonald – The Whistler Etchings Project
Patricia de Montfort – Exhibition Culture in London 1878-1908
David Robertson – Dowanhill Church
Pamela Robertson – Glasgow Mackintosh Festival 2006
Peter Trowles – The Glasgow School of Art Mackintosh Conservation and Access Project
Pol Cavin – Hidden Glasgow
Andrew Greg – The National Inventory Research Project
Victoria Hollows – The Engaged Gallery of Modern Art – GoMA: Contemporary Art and Human Rights
Andrew Patrizio – Opinion: How Does This Museum Make You Feel? Kelvingrove Art Gallery and Museum, Glasgow
Neil Mullholland – Obituary: Steven Campbell
Volume 13 (2008-9) Highlands SOLD OUT
Murdo Macdonald – Foreword
John Purser – The Celtic Ballet: Ballet, Baton and Brush in Search of Peace in Time of War
Murdo Macdonald – The Visual Preconditions of Celtic Revival Art in Scotland
Aonghus MacKechnie – Carn air a’Mhonadh: Gaeldom’s monuments – Cairns, Crosses and Celticism
Hugh Cheape – A’lasadh le carnaid: Rhyme and Reason in Perceptions of Tartan
Joanna Soden – This Way for the View: The Representation of the Highlands by some Scottish Artists, 1920-1939
Katherine G Worthing – The Parting Scene in the Highlands: Looking Beyond The Last of the Clan
The Burma Road: Photographs from the Demarco Digital Archive
Murdo Macdonald – Crannghal by Will Maclean and Arthur Watson: A Visual Essay
Meg Bateman – A’ Crannghail: A Poem
Joanna Soden – Obituary: John Houston
Volume 14 (2009-10) Taste and Travel: Scottish Mercantile Collectors and Artists Abroad
Frances Fowle – Foreword
Godfrey Evans – The 11th Duke and Duchess of Hamilton and France
Robert Wenley – The Glasgow Dilettanti Society Exhibition of 1843: Collecting Old Master Paintings in mid 19th-century Glasgow
Helen Smailes – Dundee’s Forgotten Maecenas? G B Simpson and the Patronage of Modern Scottish Art
Andrew Watson – James Duncan of Benmore: a Remarkable Victorian Collector
Suzanne Veldink – ‘Be-Marised or bemused!’ R T Hamilton Bruce and the International Exhibition of 1886
Philip McEvansoneya – The Hague School and the Scots in Fiction
Frances Fowle – Souvenirs and Fetes Champetres: William Allan Coats’s Collection of 19th-century French Paintings
Jennifer Melville – Collecting Impressionist and Post-Impressionist Paintings in Aberdeen
Kenneth McConkey – ‘Incongruious Impressions’: Scottish Painters’ Journeys at the Turn of the 20th century
Belinda Thomson – Vainly Seeking Impressionism: A Scottish Artist’s Response to the Musee du Luxembourg, c.1894
John Morrison – The Glasgow School and America, 1895-1905
Volume 15 (2010-11) Open Theme
Matthew Jarron – Foreword
David Wilson – Animal Performance: Interdisciplinary Features of a Special Area of Performing Arts History
Sandy Brewer – Tom Curr and Stanley Cursiter: Friendship, Art and Industry
Helen Beale and William Kidd – Embodying Loss and Remembrance: The Plurality of French Commemorative Practice from 1918 to the Present Day
Edward Corp – The ‘Facciata’ of Cardinal York: An Unattributed Picture in the Scottish National Portrait Gallery
Patricia R. Andrew – David Roberts’s Rome: A Bravura Painter Rattled by Ruskin
Louise Boreham – James Pittendrigh Macgillivray (1856-1938) and Kirkcaldy Art Gallery
Bill Hare and Andrew Patrizio – Alan Davie’s Jingling Spaces
Volume 16 (2011-12) Art and Art History in Scottish Public Collections
Iain Gordon Brown – David Martin and Allan Ramsay: A candid view by Alexander Fraser Tytler
Patricia R. Andrew – The Bridge Behind Burns
William Rough – A Cluster of Butterflies: James Guthrie Orchar and his collection of Whistler etchings and drypoints
Shona Elliott – Changes in the University of Aberdeen’s Approach to Displaying Art, 1860-2010
Benjamin Greenman – Seedbed and the Wedge of Chastity: The erotic play of interpretation
Anne Galastro – Fifty Years of Collecting Policies at the Scottish National Gallery of Modern Art: Bargain hunting or talent spotting?
Bo Hanley – Acquiring the Ineffable: Investigating production and policy for contemporary visual art in municipal museums and galleries in Scotland
Andrew Greg – Your Paintings: Public access and public tagging
Jonathan Hood – Obituary: James Howie (1931-2011)
Volume 17 (2012-13) The Pre-Raphaelites: New Scottish Interdisciplinary Research
Contents:
Jodi-Anne George – Foreword
Gillian Macdonald – William Morris: Eco-socialism in The Defence of Guenevere and his early poetry and prose?
Jeffrey W. Smith – Pre-Raphaelite imagery in the writings of George MacDonald: Representations in The Imagination, The Seaboard Parish and The Vicar’s Daughter
Jodi-Anne George – Rossetti’s menagerie: The condition of animals in Victorian Britain
Robyne Erica Calvert – A walk in Willowwood: Decoding the ‘Willowwoods‘ of Dante Gabriel Rossetti and Margaret Macdonald Mackintosh
Jennifer Melville – John Everett Millais and his Scottish friends
Joanna Soden – ‘This kind of Art they call Pre-Raphaelite’: The response of some Scottish artists to the paintings of the Pre-Raphaelite Brotherhood
Margaretta Frederick – ‘A Keats among painters’: The poetic imagery of George Wilson
Volume 18 (2013-14) Palaces, Patrons and Places: The Allure of Scotland for French Artists c1790 to 1900
Colin J. Bailey – Foreword
Stephen Lloyd – Henri-Pierre Danloux, an Émigré Artist and his Wife in Scotland, 1796-1800: Recent Discoveries in the Buccleuch Archives
Godfrey Evans – The 10th Duke of Hamilton’s Commissions to French Founders and Sculptors
Helen E. Smailes – Charles Achille d’Hardiviller: From Bourbon Image Consultant to Edinburgh Drawing-Master
Frances Fowle – Picturing the Highlands: Rosa Bonheur’s Grand Tour of Scotland
Andrew Watson – Gustave Doré and the Lure of Scotland
Clare A.P. Willsdon – From Lochnagar to Leith: In Scotland with Haag, Fréchou, Signorini and Orlik, 1850-1900
Volume 19 (2014-15) Scottish Artists Past and Present
Helen E. Scott – Foreward
Kate Anderson – The Scottish Connection: John Michael Wright and the Development of Portrait Painting in Scotland, 1660-1700
Godfrey Evans – The 10th Duke of Hamilton and William Allan in Russia and the Ukraine
Sheila McKinnon – The Constant Traveller: James Skene of Rubislaw (1775-1864)
Fiona V. Salvesen Murrell – ‘So Much Talk About Old Musty Painters’: Insights into the Scottish Art World and its London Connections in the Early 19th Century
Claire Robinson – ‘Seeing Splendid Visions’: The Life and Career of James Watterston Herald, 1859-1914
Patricia R. Andrew – Scottish War Art and Artists of the 20th Century: Why So Neglected?
Gráinne Rice – On Forms and Fictions: The Re-staging of Steven Campbell’s Landmark Exhibition within GENERATION: 25 Years of Contemporary Art in Scotland
Volume 20 (2015-16) Scottish Art in the Great War
Patricia Andrew – ‘A living presentment’: The Artistic Challenge of Posthumous Portraiture
Helen E. Beale and Valerie Inglis – From Recognition of Enlistment to Memorialisation: Helen A. Lamb’s Illuminated Rolls of Honour for Those Who Served in the First World War
Matthew Jarron and Emma Halford-Forbes – Splendour and Sorrow – Dundee’s Newspaper Artists during the First World War
Sandy Wood – War, The Royal Scottish Academy and its Artists
Jo Meacock – Fred A. Farrell: Glasgow’s War Artist Revisited
Sandy Brewer – ‘We are Mapping a New World’: A Scottish Artist in the Service of Artillery’s Astrologers
Louise Williams – ‘Not Just a Name, You Know’: Graphic Responses to the First World War in Lothian Health Services Archive
Kirsty MacNab – Frank Brangwyn’s First World War Posters: The Dundee City Council Collection
Graham Fagan – War? I Murder Hate!
Volume 21 (2016-2017) Scotland’s Women Artists (1885-1965)
Alice Strang – Introduction: Scotland’s Women Artists 1885-1965
Allan Lennie – Amelia and Joseph Noel Paton: A Sibling Rivalry
Emma Smith and Gordon Brennan – The Gillies Family: An Alternative Success Story
Philip Kelleway – The Zinkeisen Sisters and Celebrity Culture
Joanna Soden – The Scottish Atelier Society 1882-1889: An Opportunity for Women Artists in Edinburgh?
Siân Reynolds – Women Artists’ Training: The Paris Connection
Matthew Jarron – Placed Under No Disqualification: Women Artists in She-Town
Phyllida Shaw – Alice Meredith Williams, in her Own Words
Peggy Beardmore – From the Beginning with Frances Walker: An Exploration of Lifelong Practice
Volume 22 (2017-2018) Printmaking in Scotland
Ann Gunn – ‘Five Hundred and Forty-Two Copperplates’: Andrew Bell’s Illustrations for the Encyclopaedia Britannica, 1771–97
Lucinda Lax – The Bonnie Prince in Print: Robert Strange’s Everso Missus Portrait and the Politics of the ‘45
Mary Modeen and Helen Whiting – ‘Groups of the Manners in Scotland’: David Allan – the Process and Politics of Printmaking
Murdo Macdonald – Aspects of Scottish Literature and Printmaking in the 19th Century
David Faithfull – PALINDROME: Reflections in the Scottish Landscape in Print, Place and Process
Arthur Watson – Print, Press and Cabinet: Curation, Display and Demonstration
in the Exhibition Ages of Wonder
Lesley Logue – A Study of the Role of the Master Printmaker at Edinburgh
Printmakers
Bekki Churcher and Joanna Kemp – Edinburgh Printmakers: A New Journey in Print
Volume 23 (2018-2019) Art Organisations and Institutions in Scotland
Sandy Wood – An Evolving World: The Kinross Scholarship, Emerging Artists and the Royal Scottish Academy Collections
Karen Mailley-Watt – Women’s Work Praised: The Glasgow Society of Lady Artists (1882-1938)
Thea Stevens – The Plaster Cast Collection of The Glasgow School of Art: History, Aura and Experience
Dan Brown – Means of Production: Fifty Years of Scottish Production Facilities, 1967-2017
Gayle Nelson and Sharon Quigley – The Society of Scottish Artists (1891-2018)
Volume 24 (2019-2020) Sculpture in Scotland
Andrew Demetrius – Art Decade: Glenrothes Town Artist – Public Sculpture as Collaborative Practice
Natalie Morgan-Klein – Postwar public sculpture in British new towns: the pioneering role of Brian Miller in Cumbernauld
Matthew Jarron – ‘The immortality of stone, and the immortality of art’ – A brief history of Public Sculpture in Dundee
Aonghus Mackechnie – Scoto-Netherlandish sculpture and the scientists: 1610s-30s
Iain Fraser – An Epitome, Two Temples and a Colossus: the 11th Earl of Buchan and his sculpture
Clarisse Godard Desmarest – Columns, statues and memory in 19th-century Scotland
Hardeep Dhindsa – New Town, New Money: Towards a Decolonised Edinburgh
Eva Belgherbi – Ottilie Maclaren Wallace (1875-1947) and Scotland
Kirsty Jackson – The making of a sculptor: Charles d’Orville Pilkington Jackson’s training in the early days at Edinburgh College Of Art
Robin H Rodger – The Keith Rand Studio Gift
Georgina Coburn – Energy, Concept And Material – The Art of Steve Dilworth
Jo Meacock – Exploding Convention: I Say Nothing, A World War I centenary sculpture commission by Christine Borland
Alice Strang – From the Wall to a Performance: Monster Chetwynd’s Re-definition of Sculpture
Volume 25, 2020-2021 Scotland and North America
Robin Nicholson – Scottish Artists in North America 1714-1946
Dr Andrew M. Watson – James Patrick of Benmore (1818-1885): An Important Scots-American Collector of 19th-century Scottish Art
Erin Walter – Predating the ‘Glasgow Miracle’: The 1990s Avant-Garde Art of Diane Torr
at Franklin Furnace
Dr Shannon Vittoria – The Scottish Origins of Mary Nimmo Moran’s American Landscapes
Dr Sarah lepson – The ‘New Woman’ Crosses the Atlantic: The Red Rose Girls and Glasgow Girls
Dr David Steel – A Biographical Account of Family and Artistic Ties Between Galloway and Canada
Nancy E. Green – From Edinburgh to Santa Barbara: Frank Morley Fletcher’s Transatlantic Influence
Karen Mailley-Watt – ‘A school is not a product of any one person or of any one mind’: The Impact of Charles H. Scott and other Scottish Artists on the Vancouver School
of Applied Art and Design
Copies of all the above are still available to buy, except Vol 9, 11 and 13 which are sold out.
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