Journal of the Scottish Society for Art History – Back Issues
Volume 1 1996 Scotland and the Low Countries & Scotland and France
Margaret Swain – Flemish Tapestry Hangings in Scotland in the Seventeenth Century
Basil Skinner – Philip Tideman and the Decoration of Hopetoun House
John Lowrey – The Influence of the Netherlands on Early Classicism and the Formal Garden in Scotland
John Frew – Scottish Architecture and Holland, 1919-1939
Paul Stirton – Grez-sur-Long: An Artists’ Colony
Patrick Elliott – French and Scottish Sculpture, 1890-1940
Françoise Garcia – The teaching of Andre Lhote
Ceçile Coutin – André Dunoyer de Segonzac, 1884-1974
Volume 2 1997 Scotland 1900
Louise Boreham – Louis Reid Deuchars and the Aldourie Pottery
Elizabeth Cumming – The Marquess of Bute and the Beginnings of the Dovecot Studio
Frances Fowle – Alexander Reid: the Influential Dealer
John Frew – Suburban Free Stylism: the Villas of James Scott of James Gillespie and Scott, 1896-1914
Juliet Kinchin – Art and History into Life: Pageantry Revived in Scotland
John Morrison – James Duncan of Jordanstone and the Art College in Dundee
Volume 3 1998 Patronage & Collecting
Robin Nicholson – Patronage and Portraiture of the Exiled Stuarts
George Fairfull Smith – The Glasgow Dilettanti Society
Jennifer Melville – Art and Patronage in Aberdeen, 1860-1920
Andrew Watson – Constantine Ionides and his Collection of 19th-Century French Art
Jane Lindsey – Robert Burns and the Crawford Family
James M Lawlor – The Scottish Patrons of Eric Gill
Diane M Watters – Post-War Church Patronage in the West of Scotland: The Ecclesiastical Architecture of Gillespie, Kidd & Coia
Volume 4 1999 Art Academies & Spanish Art
Grier Gordon – The Foulis Academy, 1753-1776
George Fairfull Smith – Art and Design Education in Glasgow in the 18th and 19th Centuries
George Rawson – The Glasgow Government School of Design, 1845-1853
Frances Fowle – The Changing Functions of the Royal Institution
Joanna Soden – The Role of the RSA in Art Education During the 19th Century
Nigel Thorp – Whistler and His Students at the Académie Carmen
Hilary Macartney – The Nobility of Art: The Seville Academy Founded by Murillo and a Portrait of Philip IV at Pollok House
Alan K G Paterson – Three Versions of Art Theory and Practice by Don Pedro Calderón de la Barca
David Howarth – “The grand features of an unsubdued world”: William Robertson and the Spanish Empire
Amaia Zulaika – The Dissolution of the Spanish Monasteries in the 19th Century and its Impact on Spanish Art
Volume 5 2000 Scotland 1900 & Scotching Myths
Elizabeth Cumming – Ruskin and Identity in Scottish National Architectural Sculpture
Ray McKenzie – The Sculpture Programme of Kelvingrove Art Gallery
Juliette MacDonald – The Decorative Murals of Douglas Strachan
Christine Rew – James Cromar Watt: Aberdeen Architect and Designer
Richard Carr – Scottish Design Myths
Annette Carruthers – Two Holiday Houses in North Britain: Melsetter and the Old Place of Mochrum
Janice Helland – “Quaint and Curious”: Scottish Textiles at Turin, 1902
Rosemary Addison – Spirited Activity: Scottish Book Design and Women Illustrators, 1890-1920
Jane Lindsey – A Tale of Two Tea Rooms: Gender, Commerce and Classicism
Christine Rew – The Gleam in the North: Historic and Contemporary Silversmithing in Scotland
David Gerrard – The Invisible Designer
Volume 6 2001 Orientalism
Robert Hillenbrand – Introduction: The Orient of the Imagination
Sylvia Auld – The Response to the Arts of Islam in Renaissance Florence and Venice
Jennifer Scarce – Europeans in Turkish Dress
Patsy Campbell – Wilkie in Constantinople
Ulrike Al-Khamis & Rose Watban – An Orientalist Tile Panel in the Royal Museum of Scotland
Nick Pearce – Soldiers, Doctors, Engineers: Chinese Art and British Collecting 1860-1935
Patsy Campbell & Chris Claxton – Chinese Works on Paper from a 19th-Century Decorative Scheme at Pittendreich House, Lasswade
Margaret MacDonald – James McNeill Whistler and Oriental Art
Akayo Ono – The Japanese Subject Matter of Mortimer Menpes and the Influence of Whistler and Kawanabe Kyôsai on his Work
William Buchanan – The Asahi Restored
Volume 7 2002 Twentieth-Century Art & Design in Scotland
Frances Robertson – Dazzle Painting: The Art of Deceit in War
Nicholas Oddy – A Scottish Approach to Domestic Light Goods: The Case of Bar-Knight
Bruce Peter – Glasgow Goes Electric
Juliet Kinchin & Andrea Peach – Small Pieces of Scotland? Souvenirs and the Good Design Debate 1946-80
Annette Carruthers – Barnsley’s Bute House Sideboard and the Patronage of Elizabeth Watt
Pauline Megson – Reconstructing Auchinleck
Dianne King – A Renaissance in Ironwork
Robin Baillie – Singularity and Symbolisation: Images in the Scottish National Narrative
Neil Mulholland – Learning from Glasvegas: Scottish Art after ‘The 90′
Venda Louise Pollock – An Enlightenend City and Distanced Observer: Early Prospects of Glasgow by Slezer and the Foulis Academy
Volume 8 2003 Collecting Italian Old Master Paintings in Scotland in the 18th and 19th Centuries
Timothy Clifford – Introduction: Italian Art in Scotland in the 18th and Early 19th Centuries
Peter Humfrey – G. F. Waagen in Scotland
Francis Russell – John, 3rd Earl of Bute, and Venice
Iain Gordon Brown – ‘I understood pictures better than became my purse …’: the Clerks of Penicuik and Eldin as Collectors and Connoisseurs
Stephen Lloyd – Italian Paintings in the Scottish Collections of the Dukes of Buccleuch & Queensberry
Claire Smith – The 4th Earl of Aberdeen as a Collector of Italian Old Masters
Godfrey Evans – The Hamilton Collection and the 10th Duke of Hamilton
Shelagh Wemyss – Francis, Lord Elcho (10th Earl of Wemyss) as a Collector of Italian Old Masters
Robert Wenley – The 8th Marquess of Lothain as a Collector of Italian Old Masters
Vivien Hamilton – Italian Old Masters in Glasgow: Resources for Research
Iain Gordon Brown – Venerating the Venetians? Some Scottish Views of the Painters of the Golden Age
Volume 9 2004 The Arts and Crafts movement / Patrick Geddes and France SOLD OUT
Alan Crawford – The Disunited Kingdom of the Arts and Crafts
Annette Carruthers – Gang Warily: Scottish Arts and Crafts Issues
Juliette MacDonald – Politicising the Landscape: The Kirk and the Ideology of Territoriality
Janice Helland – Highland Home Industries and the Fashion for Tweed
Nicola Gordon Bowe – ‘Dreams Long Hoarded’: Aspects of Cultural Identity Leading to Arts and Crafts Movement in Ireland, c.1886-1925
Edyta Supinska-Polit – ‘The World is Different Here’ : Arts and Crafts in the Polish Tatras
Paul Stirton – From ‘The Stones of Venice’ to ‘The Stones of Transylvania’
Elizabeth Cumming – ‘Scottish Everyday Art’, or How Tradition Shaped Modernism
Robin Nicholson – ‘From Fever to Fresh Air’: The Evergreen, The Yellow Book and the Threat of Decadence
Clare A.P. Willsdon – The Ramsay Garden Murals and Their Links with French Mural Painting
Pierre Chabard – Paris – Montpellier – Domme: French Migrations of the Outlook Tower
Venda Louise Pollock – Second City or Absent City? Futurism and Glasgow’s Lack of an Urban Modernism
Vickie Hearnshaw – The Glasgow Boy ‘Downunder’: James Nairn’s New Zealand years, 1890-1904
Volume 10 2005 SSAH 21st Anniversary Edition /Architecture, Design
and Criticism / Scottish Art/ Student Essay
Emily Jane Anderson – 18th-Dynasty Statues of the Egyptian Goddess Sekhmet in Scottish Collections
Peter Black – A Rubens Drawing for the Hunterian: The Fragment of a Memory Exercise
Jessica Feather – Gavin Hamilton’s Dawkins and Wood Discovering the Ruin of Palmyr Reconsideration
Ailsa Boyd – Finding Beatrix Whistler: A Paradigmatic Victorian Woman Artist
Marc Fehlmann – ‘A Striking Proof of Scotland’s Pride’: Remarks on the Scottish National Monument on Calton Hill
Bruce Peter – Hopping Scottish to London – The Design Context of the 1968 M-Type Motorway Coach
Wolfgang Sonne – Culture of Urbanity: A New Approach to 20th-Century Urban Design History
Susannah Thompson – The Case for Critical Regionalism in Recent Scottish Art Criticism
Duncan Macmillan – Scottish Art
Murdo Macdonald – Scottish Art and Identity: A Unique Diversity
John Morrison – Nation and Identity
Ken Currie – State of the Nation: Contemporary Art
Charles McKean – Scottishness in Architecture
Clemena Antonova – El Greco’s Icon of Christ in the National Gallery
Daniel Herrmann Obituary – Sir Eduardo Paolozzi, 1924-2005
Volume 11 (2006) Art & Art History in Dundee SOLD OUT
Matthew Jarron – Introduction
Clara Young – Dundee’s Earliest Fine Art Exhibitions
Mark Stocker – ‘The head o’ the Bard sweeps the Southern Sky!’ Sir John Steell’s Statues of Robert Burns: From Dundee to Dunedin
William Hardie – George Dutch Davidson: ‘A too great perfection’
Mary Arnold – Etta J. Johnston: Art, Science and Social Action in Late 19th-Century Dundee
Murdo Macdonald – Pointing to Iona: Patrick Geddes, John Duncan and Ananda Coomaraswamy
Nicola Ireland – ‘A man of sensitive culture’: A Survey of Twelve Albums by John Duncan in the Royal Scottish Academy Collection
Frances Fowle – Pioneers of Taste: Collecting in Dundee in the 1920s
Euan McArthur – CEMA and the Arts Council in Scotland: Education, Policy and Practice, 1940-46
Christopher Murray – Thur’s a man wi a big chin an’ a dug in thon City Centre: Uncovering the Importance of Dundee Comics
Sandra McNeil – Drawing as Life: Reflections on William C.M. Cadenhead
Stephen Partridge – REWIND: Artists’ Videos in the 1970s and 1980s
Matthew Davis – The Richard Demarco Archive: Accessing a 40-Year Dialogue between Richard Demarco and the European Avant-Garde
John Stewart-Young, Clara Young & Alice Strang – McManus Galleries & Museum: Redevelopment and Outreach
Gail Egan – ‘Surveying the Past and Looking to the Future’: Caring for the Paintings Collection of the McManus Galleries
Monica Matthews & Philippa Sterlini – ‘Out, damned spot!’: The Conservation of John Linnell Chalk Portraits at the University of Dundee
Caroline Needham – Forensic Art in Dundee
Grainne Rice – Obituary: Ian Hamilton Finlay, 1925-2006
Volume 12 (2007) Art & Art History in Glasgow
Roger Bilcliffe – Mackintosh Furniture Revisited
Victoria Burgess – Attic Riches: Locating the Local Painter Decorator
Robert Gibbs – Designs for the Serial Titles of Blackie’s and Mudie’s by Talwin Morris, Ethel Larcombe and C.R. Mackintosh
Sally Stewart – In Praise of Shadows and Light
Alexander Kennedy – An Occult Perspective on One of ‘The Four’
Paul Stirton – Notes Towards a Historiography of Modern Scottish Art
Frances Fowle – Art Dealing in Glasgow Between the Wars: The Rise and Fall of La Societe des Beaux-Arts
Venda Pollock – From Gethsemane to Lanark: The Problem of Representing Glasgow
John Morrison – The Glasgow Group
Margery McCulloch – Young Artists in a ‘Philistine Society’? Making it New in Glasgow 1956-1969
Helen McCormack – The Hunterian Museum and Art Gallery Bi-centenary Celebrations
Margaret MacDonald – The Whistler Etchings Project
Patricia de Montfort – Exhibition Culture in London 1878-1908
David Robertson – Dowanhill Church
Pamela Robertson – Glasgow Mackintosh Festival 2006
Peter Trowles – The Glasgow School of Art Mackintosh Conservation and Access Project
Pol Cavin – Hidden Glasgow
Andrew Greg – The National Inventory Research Project
Victoria Hollows – The Engaged Gallery of Modern Art – GoMA: Contemporary Art and Human Rights
Andrew Patrizio – Opinion: How Does This Museum Make You Feel? Kelvingrove Art Gallery and Museum, Glasgow
Neil Mullholland – Obituary: Steven Campbell
Volume 13 (2008-9) Highlands SOLD OUT
Murdo Macdonald – Foreword
John Purser – The Celtic Ballet: Ballet, Baton and Brush in Search of Peace in Time of War
Murdo Macdonald – The Visual Preconditions of Celtic Revival Art in Scotland
Aonghus MacKechnie – Carn air a’Mhonadh: Gaeldom’s monuments – Cairns, Crosses and Celticism
Hugh Cheape – A’lasadh le carnaid: Rhyme and Reason in Perceptions of Tartan
Joanna Soden – This Way for the View: The Representation of the Highlands by some Scottish Artists, 1920-1939
Katherine G Worthing – The Parting Scene in the Highlands: Looking Beyond The Last of the Clan
The Burma Road: Photographs from the Demarco Digital Archive
Murdo Macdonald – Crannghal by Will Maclean and Arthur Watson: A Visual Essay
Meg Bateman – A’ Crannghail: A Poem
Joanna Soden – Obituary: John Houston
Volume 14 (2009-10) Taste and Travel: Scottish Mercantile Collectors and Artists Abroad
Frances Fowle – Foreword
Godfrey Evans – The 11th Duke and Duchess of Hamilton and France
Robert Wenley – The Glasgow Dilettanti Society Exhibition of 1843: Collecting Old Master Paintings in mid 19th-century Glasgow
Helen Smailes – Dundee’s Forgotten Maecenas? G B Simpson and the Patronage of Modern Scottish Art
Andrew Watson – James Duncan of Benmore: a Remarkable Victorian Collector
Suzanne Veldink – ‘Be-Marised or bemused!’ R T Hamilton Bruce and the International Exhibition of 1886
Philip McEvansoneya – The Hague School and the Scots in Fiction
Frances Fowle – Souvenirs and Fetes Champetres: William Allan Coats’s Collection of 19th-century French Paintings
Jennifer Melville – Collecting Impressionist and Post-Impressionist Paintings in Aberdeen
Kenneth McConkey – ‘Incongruious Impressions’: Scottish Painters’ Journeys at the Turn of the 20th century
Belinda Thomson – Vainly Seeking Impressionism: A Scottish Artist’s Response to the Musee du Luxembourg, c.1894
John Morrison – The Glasgow School and America, 1895-1905
Volume 15 (2010-11) Open Theme
Matthew Jarron – Foreword
David Wilson – Animal Performance: Interdisciplinary Features of a Special Area of Performing Arts History
Sandy Brewer – Tom Curr and Stanley Cursiter: Friendship, Art and Industry
Helen Beale and William Kidd – Embodying Loss and Remembrance: The Plurality of French Commemorative Practice from 1918 to the Present Day
Edward Corp – The ‘Facciata’ of Cardinal York: An Unattributed Picture in the Scottish National Portrait Gallery
Patricia R. Andrew – David Roberts’s Rome: A Bravura Painter Rattled by Ruskin
Louise Boreham – James Pittendrigh Macgillivray (1856-1938) and Kirkcaldy Art Gallery
Bill Hare and Andrew Patrizio – Alan Davie’s Jingling Spaces
Volume 16 (2011-12) Art and Art History in Scottish Public Collections
Iain Gordon Brown – David Martin and Allan Ramsay: A candid view by Alexander Fraser Tytler
Patricia R. Andrew – The Bridge Behind Burns
William Rough – A Cluster of Butterflies: James Guthrie Orchar and his collection of Whistler etchings and drypoints
Shona Elliott – Changes in the University of Aberdeen’s Approach to Displaying Art, 1860-2010
Benjamin Greenman – Seedbed and the Wedge of Chastity: The erotic play of interpretation
Anne Galastro – Fifty Years of Collecting Policies at the Scottish National Gallery of Modern Art: Bargain hunting or talent spotting?
Bo Hanley – Acquiring the Ineffable: Investigating production and policy for contemporary visual art in municipal museums and galleries in Scotland
Andrew Greg – Your Paintings: Public access and public tagging
Jonathan Hood – Obituary: James Howie (1931-2011)
Volume 17 (2012-13) The Pre-Raphaelites: New Scottish Interdisciplinary Research
Contents:
Jodi-Anne George – Foreword
Gillian Macdonald – William Morris: Eco-socialism in The Defence of Guenevere and his early poetry and prose?
Jeffrey W. Smith – Pre-Raphaelite imagery in the writings of George MacDonald: Representations in The Imagination, The Seaboard Parish and The Vicar’s Daughter
Jodi-Anne George – Rossetti’s menagerie: The condition of animals in Victorian Britain
Robyne Erica Calvert – A walk in Willowwood: Decoding the ‘Willowwoods‘ of Dante Gabriel Rossetti and Margaret Macdonald Mackintosh
Jennifer Melville – John Everett Millais and his Scottish friends
Joanna Soden – ‘This kind of Art they call Pre-Raphaelite’: The response of some Scottish artists to the paintings of the Pre-Raphaelite Brotherhood
Margaretta Frederick – ‘A Keats among painters’: The poetic imagery of George Wilson
Volume 18 (2013-14) Palaces, Patrons and Places: The Allure of Scotland for French Artists c1790 to 1900
Colin J. Bailey – Foreword
Stephen Lloyd – Henri-Pierre Danloux, an Émigré Artist and his Wife in Scotland, 1796-1800: Recent Discoveries in the Buccleuch Archives
Godfrey Evans – The 10th Duke of Hamilton’s Commissions to French Founders and Sculptors
Helen E. Smailes – Charles Achille d’Hardiviller: From Bourbon Image Consultant to Edinburgh Drawing-Master
Frances Fowle – Picturing the Highlands: Rosa Bonheur’s Grand Tour of Scotland
Andrew Watson – Gustave Doré and the Lure of Scotland
Clare A.P. Willsdon – From Lochnagar to Leith: In Scotland with Haag, Fréchou, Signorini and Orlik, 1850-1900
Volume 19 (2014-15) Scottish Artists Past and Present
Helen E. Scott – Foreward
Kate Anderson – The Scottish Connection: John Michael Wright and the Development of Portrait Painting in Scotland, 1660-1700
Godfrey Evans – The 10th Duke of Hamilton and William Allan in Russia and the Ukraine
Sheila McKinnon – The Constant Traveller: James Skene of Rubislaw (1775-1864)
Fiona V. Salvesen Murrell – ‘So Much Talk About Old Musty Painters’: Insights into the Scottish Art World and its London Connections in the Early 19th Century
Claire Robinson – ‘Seeing Splendid Visions’: The Life and Career of James Watterston Herald, 1859-1914
Patricia R. Andrew – Scottish War Art and Artists of the 20th Century: Why So Neglected?
Gráinne Rice – On Forms and Fictions: The Re-staging of Steven Campbell’s Landmark Exhibition within GENERATION: 25 Years of Contemporary Art in Scotland
Volume 20 (2015-16) Scottish Art in the Great War
Patricia Andrew – ‘A living presentment’: The Artistic Challenge of Posthumous Portraiture
Helen E. Beale and Valerie Inglis – From Recognition of Enlistment to Memorialisation: Helen A. Lamb’s Illuminated Rolls of Honour for Those Who Served in the First World War
Matthew Jarron and Emma Halford-Forbes – Splendour and Sorrow – Dundee’s Newspaper Artists during the First World War
Sandy Wood – War, The Royal Scottish Academy and its Artists
Jo Meacock – Fred A. Farrell: Glasgow’s War Artist Revisited
Sandy Brewer – ‘We are Mapping a New World’: A Scottish Artist in the Service of Artillery’s Astrologers
Louise Williams – ‘Not Just a Name, You Know’: Graphic Responses to the First World War in Lothian Health Services Archive
Kirsty MacNab – Frank Brangwyn’s First World War Posters: The Dundee City Council Collection
Graham Fagan – War? I Murder Hate!
Volume 21 (2016-2017) Scotland’s Women Artists (1885-1965)
Alice Strang – Introduction: Scotland’s Women Artists 1885-1965
Allan Lennie – Amelia and Joseph Noel Paton: A Sibling Rivalry
Emma Smith and Gordon Brennan – The Gillies Family: An Alternative Success Story
Philip Kelleway – The Zinkeisen Sisters and Celebrity Culture
Joanna Soden – The Scottish Atelier Society 1882-1889: An Opportunity for Women Artists in Edinburgh?
Siân Reynolds – Women Artists’ Training: The Paris Connection
Matthew Jarron – Placed Under No Disqualification: Women Artists in She-Town
Phyllida Shaw – Alice Meredith Williams, in her Own Words
Peggy Beardmore – From the Beginning with Frances Walker: An Exploration of Lifelong Practice
Volume 22 (2017-2018) Printmaking in Scotland
Ann Gunn – ‘Five Hundred and Forty-Two Copperplates’: Andrew Bell’s Illustrations for the Encyclopaedia Britannica, 1771–97
Lucinda Lax – The Bonnie Prince in Print: Robert Strange’s Everso Missus Portrait and the Politics of the ‘45
Mary Modeen and Helen Whiting – ‘Groups of the Manners in Scotland’: David Allan – the Process and Politics of Printmaking
Murdo Macdonald – Aspects of Scottish Literature and Printmaking in the 19th Century
David Faithfull – PALINDROME: Reflections in the Scottish Landscape in Print, Place and Process
Arthur Watson – Print, Press and Cabinet: Curation, Display and Demonstration
in the Exhibition Ages of Wonder
Lesley Logue – A Study of the Role of the Master Printmaker at Edinburgh
Printmakers
Bekki Churcher and Joanna Kemp – Edinburgh Printmakers: A New Journey in Print
Volume 23 (2018-2019) Art Organisations and Institutions in Scotland
Sandy Wood – An Evolving World: The Kinross Scholarship, Emerging Artists and the Royal Scottish Academy Collections
Karen Mailley-Watt – Women’s Work Praised: The Glasgow Society of Lady Artists (1882-1938)
Thea Stevens – The Plaster Cast Collection of The Glasgow School of Art: History, Aura and Experience
Dan Brown – Means of Production: Fifty Years of Scottish Production Facilities, 1967-2017
Gayle Nelson and Sharon Quigley – The Society of Scottish Artists (1891-2018)
Volume 24 (2019-2020) Sculpture in Scotland
Andrew Demetrius – Art Decade: Glenrothes Town Artist – Public Sculpture as Collaborative Practice
Natalie Morgan-Klein – Postwar public sculpture in British new towns: the pioneering role of Brian Miller in Cumbernauld
Matthew Jarron – ‘The immortality of stone, and the immortality of art’ – A brief history of Public Sculpture in Dundee
Aonghus Mackechnie – Scoto-Netherlandish sculpture and the scientists: 1610s-30s
Iain Fraser – An Epitome, Two Temples and a Colossus: the 11th Earl of Buchan and his sculpture
Clarisse Godard Desmarest – Columns, statues and memory in 19th-century Scotland
Hardeep Dhindsa – New Town, New Money: Towards a Decolonised Edinburgh
Eva Belgherbi – Ottilie Maclaren Wallace (1875-1947) and Scotland
Kirsty Jackson – The making of a sculptor: Charles d’Orville Pilkington Jackson’s training in the early days at Edinburgh College Of Art
Robin H Rodger – The Keith Rand Studio Gift
Georgina Coburn – Energy, Concept And Material – The Art of Steve Dilworth
Jo Meacock – Exploding Convention: I Say Nothing, A World War I centenary sculpture commission by Christine Borland
Alice Strang – From the Wall to a Performance: Monster Chetwynd’s Re-definition of Sculpture
Volume 25, 2020-2021 Scotland and North America
Robin Nicholson – Scottish Artists in North America 1714-1946
Dr Andrew M. Watson – James Patrick of Benmore (1818-1885): An Important Scots-American Collector of 19th-century Scottish Art
Erin Walter – Predating the ‘Glasgow Miracle’: The 1990s Avant-Garde Art of Diane Torr
at Franklin Furnace
Dr Shannon Vittoria – The Scottish Origins of Mary Nimmo Moran’s American Landscapes
Dr Sarah lepson – The ‘New Woman’ Crosses the Atlantic: The Red Rose Girls and Glasgow Girls
Dr David Steel – A Biographical Account of Family and Artistic Ties Between Galloway and Canada
Nancy E. Green – From Edinburgh to Santa Barbara: Frank Morley Fletcher’s Transatlantic Influence
Karen Mailley-Watt – ‘A school is not a product of any one person or of any one mind’: The Impact of Charles H. Scott and other Scottish Artists on the Vancouver School
of Applied Art and Design
Volume 26, 2021-2022 Art, Landscape & Space
Alice Strang – From THERE WILL BE NO MIRACLES HERE to EVERYTHING’S GOING TO BE ALRIGHT: The Grounds of the Scottish National Gallery of Modern Art
Dr Alistair Peebles – The Gledfield Effect – Revisited
Andrew Parkinson – Sylvia Wishart and Rackwick Valley
Anna McLauchlan – Working the site: the site-specific art of Bothy Project live/work residencies
The Artists with Alice Strang – Dalziel + Scullion: Going Out Going Home
Dr Freya Spoor – James Paterson: exploring familiar landscapes
Dr Helen E. Scott – Into ‘Old Castile’: Mary Cameron’s experiences in Segovia, Spain (1905-1907)
Morven Gregor – An Inn For Phantoms Of The Outside And In. Martin Boyce at Mount Stuart
Sally Goodsir – The Depictions in Art of the Palace of Holyroodhouse
Andrea Geile – Can’t See the Wood for the Trees. Art Research and Exhibition Project
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